
Why is this so Beautiful to Us?
- tom68742
- Mar 26
- 2 min read
Chimney Rock at Ghost Ranch is just one of many stone spires in New Mexico. When you add the soft orange glow of Sunset, it’s hard to not be inspired. Humans seem hardwired to experience pleasure when they encounter something so beautiful. Frank Wilczek wrote a 400 page book as an attempt to answer a single question, “Is the world a work of art?” In a sense, is all of creation from the Galaxies to atoms, are something we as conscious human beings experience as beautiful, as we do gazing at Van Goghs’ “Starry Night.” As a mystic, I believe the existance of dark mater and energy makes the possiblity of a “spirit world” connected to our light dominated world more than fantasy. The entire world is experienced as “relationship” from atoms to galaxies to living organizms in our ecosystem. The highest expression of relationship, is something call love. What if all creation, is in fact the embodiement of an unseen “creators” love?
This is not something that can be proved but artists the beginning of human history have experienced nature as an expression of the “divine.” While Europeans were using “landscapes” as flat backgrounds for import historical figures, the Chinese were painting nature as the most important subject. This is where I draw my most recent inspiration for both painting and poetry. Influences include the Chinese and Japanese “Literati” poet / painters, ex. Su Shih b. 1037 and Fukuda Kodoshin b.1865, and some ideas from “wabi sabi” imperfection, impermanence. These are filtered through my belief that true beauty is embodiment of love, the one unchangeable truth in everything that matters. It is impossible for me to recreate the culture and skill needed to reproduce the true “literati” style, but I feel called to follow in their spirit and approach to art of the natural world. This is my first attempt.
This painting leave some wood exposed to show its’ natural beauty. Imperfect black borders, contrasted with gold underpainting roots the painting in the realities of life. The scene celebrates the fact that errosion reveals the beauty we see now in the light of a Summer sunset. It is not a sterile reproduction of the exterior stone, but painted with heart seeing the colors and feeling the wonder of love embodied. Acrylic on Wood Panel, 20x20. “Beautiful Spire”




That soft orange glow against the stone really does feel like the universe showing off, doesn't it? Wilczek’s question about whether creation is a work of art makes me wonder if our brains are just wired to find the same patterns in a sunset that we find in a Van Gogh. I've been digging into more of his thoughts on this over at https://perchance-ai-image.com
That soft orange glow really does feel like the universe showing off, doesn’t it? Wilczek’s question about whether creation is art hits differently when you’re standing in front of a spire that took millions of years to paint. I’ve been digging into that same feeling lately with https://flux3.site
The way Wilczek frames the universe as a work of art really resonates—that same "hardwired" pleasure you feel at Chimney Rock is exactly what I chase when I'm trying to capture a landscape on canvas. I've been using a new color palette that mimics that soft orange glow, and it's completely changed my process. https://grok-imagine-ai.net
That soft orange glow really does feel like the universe winking at us, doesn’t it? Makes you wonder if Wilczek’s 400 pages ever captured that exact moment. I’ve been digging into a similar rabbit hole lately, and this piece on https://hyper3d.site
That soft orange glow against the stone really does feel like the universe showing off, doesn't it? Makes you wonder if Wilczek's question is less about art and more about how we're wired to find meaning in the light. I've been digging into that same feeling lately with https://yeggi.pro